"Zanetta ou Jouer avec le feu - Score and Parts" Sheet Music by Daniel François Esprit Auber

$51.99 USD
 
Scored For: Flute and String Trio
Composers: Daniel François Esprit Auber
Arrangers: Richard Wagner
Pages: 80
This product does NOT support transposition or digital playback
SKU: 512028
Publisher: Schott Music
Grade Level: Intermediate - Advanced What's this?
Series: Edition Schott
Publisher ID: Q865687

When Richard Wagner arrived in Paris in September 1839, he had grand plans: Paris was to help him achieve his international breakthrough as an opera composer. In his luggage he carried his comic opera Das Liebesverbot oder: Die Novize von Palermo and the as yet unfinished score of his tragic opera Rienzi, der Letzte der Tribunen. He hoped to stage them at one of the Parisian opera houses or – even better – to be commissioned to compose a new opera. But these hopes proved all too soon to be illusions. Even the support of Giacomo Meyerbeer, who wielded great influence in Parisian musical life, was not enough. Wagner therefore found himself forced to earn a living by other means. He wrote articles for newspapers such as the Revue et Gazette musicale de Paris, including the story Eine Pilgerfahrt zu Beethoven (A Pilgrimage to Beethoven), which later became famous, and he produced – something he had probably never even imagined in his wildest dreams – arrangements of works by other composers. None of this was done voluntarily, but out of sheer financial necessity, and Wagner evidently suffered from having to carry out this ‘hired work’, as he later dismissively called it. Wagner arranged the operas La Favorite by Gaetano Donizetti, Le Guitarrero and La Reine de Chypre by Fromenthal Halévy, as well as Zanetta ou Jouer avec le feu by Daniel François Esprit Auber, and the original two-hand version of Grande fantaisie sur la Romanesca, op. 111, by Henri Herz for piano four hands. All these arrangements, insofar as they have been preserved, are included in a critical edition within the Complete Works of Wagner: Richard Wagner, Sämtliche Werke, Vol. 20, II A-C. The opera arrangements consisted, as was customary at the time, of piano reductions for two and four hands and those without text, of individual pieces, known as ‘Morceaux détachés’, as well as versions for quartet (string quartet or flute and string trio), for two violins and for cornet à pistons. Some of these, such a